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Joel Famularo Phantom LUTs Mavic 3 Pro - DJI Mavic 3 ARRI Color Simulation

Last updated: Oct 24 2025

Joel Famularo Phantom LUTs Mavic 3 Pro

Overview​

Phantom LUTs Mavic 3 Pro is a collection by professional colorist Joel Famularo developed for Mavic 3 drone users (Mavic 3 Classic, Mavic 3 Pro and Mavic 3 Pro Cine) to simulate ARRI Alexa color science and classic film stock appearance. This pack is highly recommended and offers significant learning and practical value.

Features​

  • ARRI Alexa 709 color science emulation for DJI D-Log and D-Log M
  • 5 ARRI LUT pack with creative variations
  • 6 Film Emulation LUTs based on real film stocks
  • Perfect for Mavic 3 series drone users seeking creative post-production options

The 'Alexa Look'​

A lot of Mavic 3 (Pro/Cine) users have expressed dissatisfaction with the colors from the camera. This LUT emulates the ARRI Alexa Mini using a tried and true process developed with Sony, Canon and Blackmagic cameras. The Alexa's color science is considered the gold standard for natural, accurate and beautiful colors as a starting point for grading.

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These LUTs are designed to deliver:

  • Organic, smooth and gentle highlight roll-off that mimics Alexa's highlight rendering
  • Natural skin tones designed to render contrast levels on skin like an ARRI Alexa
  • Naturalistic, organic and classic colors
  • Rich but not crushed shadows suitable for low light and broad daylight scenes
  • Commensurate exposure levels that don't shrink the dynamic range of the camera

The 5 ARRI LUTs:​

LUT 1) Neutral​

A neutral ARRI look – no color cast or 'look' – just the classic ALEXA Rec709 look.

LUT 2) Tungsten​

A slightly warmer golden cast designed to be utilized for subjects bathed in tungsten light.

LUT 3) Ice Blue​

Blue, colder cast with punchy, deep blues (looks amazing on subjects with blue eyes).

LUT 4) Jamaica​

Green and gold cast – distinctive, rich, filmic greens and beautiful golden skintones.

LUT 5) Utopia​

The most filmic look of the LUTs, with blood red reds and filmic blues and greens. It's the personal take on what Utopia would look like.

The 'Film Look'​

The 'Film Look' LUT Pack contains 6 LUTs inspired by real film stocks designed to give your D-Log and D-Log M footage the Film Look.

The 6 Film Emulation LUTs:​

LUT 1) 'Vision'​

Modelled on Kodak Vision 5274

  • Shot on: The Matrix, Lord of the Rings Trilogy, Gladiator
  • The most color accurate stock with accurate blues, slightly cool greens, accurate skin tones which slightly skew pink/gold
  • Strong contrast and filmic subtractive color model in saturation
  • Gentle roll off and rich, smooth fall off in shadows
  • Skews green in shadow areas and when underexposed
  • Classic film character but less stylised than any other stock

LUT 2) 'Eastman'​

Modelled on Kodak Eastman 5247

  • Shot on: Apocalypse Now, Bladerunner, Alien, ET
  • Vintage, dated Kodak look and feel
  • Saturation strongest in mids and falls off in shadows and highlights
  • Greens skew warm, blues slightly turquoise, gold/pink skin-tones
  • Smoother contrast than modern stocks

LUT 3) 'Eastman RM'​

Variation on Kodak Eastman 5247 (Introduced Jan 202)

  • Classic Eastman Look but modernised (Orange & Teal)
  • Greener in cast than the more magenta original Eastman 5247
  • Modelled on the Re-Graded versions of classic films from 70s & 80s

LUT 4) 'Vision Teal'​

Variation on Kodak Vision 5274 (LUT# 1)

  • Subtle Orange/Teal color scheme
  • More stylised version of '#1 Vision'. Less realistic – 'prettier'
  • Greens are slightly warmer, blues slightly turquoise and skin more golden
  • Overall lift in saturation and contrast compared to 'Vision' but still balanced
  • Can elevate a dull scene with its look but not overpower a rich scene

LUT 5) 'Eterna'​

Modelled on Fuji Eterna 8563

  • Shot on: Captain Phillips, Wall Street: Money Never Sleeps, The Butler
  • Overall smoother contrast and rolloff compared to Kodak
  • Rich but not overpowering colors and saturation characteristics
  • Go-to for Fashion and Beauty but can work with almost anything
  • Very flattering skin-tones
  • Greens are cool and rich, skin is golden, blues skew turquoise and modern, color accurate yellows compared to Kodak

LUT 6) 'Bleach'​

Modelled on Fujifilm Super F 8552

  • Shot on: Munich, War of The Worlds, Crash
  • Modelling the Bleach Bypass process for strong contrast and low saturation
  • Aggressive, gritty look – halfway between black and white and color film
  • Great for War Films, Crime, Urban Fashion
  • Works especially well with heavy film grain

Technical Information​

System Requirements​

  • Windows and Mac systems

Software Support​

Compatible with Sony Vegas, Premiere Pro CC, After Effects CC, FCPX, DaVinci Resolve, and more.

File Format​

  • .CUBE format
  • File size: approximately 61MB
  • Transfer format: .zip file

Installation Guide​

Final Cut Pro X​

  1. Open FCPX software, find the [Effects] panel - [Color] - [Custom LUT] and add to the video
  2. In the [LUT] parameter item - [Select Custom LUT...] select the LUTS folder or .cube file to load
  3. PS: If you select the LUTS folder, you can load the entire folder and retain it in the [LUT] parameter item for easy classification management, but note that you should avoid using Chinese characters and special characters as much as possible

Premiere Pro​

First open the following path:

  • Mac system: /Library/Application Support/Adobe/Common/LUTs
  • Windows system: \Program Files\Adobe\Common\LUTs
  • Copy the "Log to Rec709" LUTs to the above folder
  • PS: For easy classification, you can create a new folder in the above path

DaVinci Resolve​

First open the following path:

  • Mac system: Macintosh HD/Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT
  • Windows system: C:\ProgramData\Blackmagic Design\DaVinci Resolve\Support\LUT
  • Copy the "Log to Rec709" LUTs to the above folder
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