Joel Famularo Phantom LUTs Mavic 3 Pro - DJI Mavic 3 ARRI Color Simulation
Last updated: Oct 24 2025
Overview
Phantom LUTs Mavic 3 Pro is a collection by professional colorist Joel Famularo developed for Mavic 3 drone users (Mavic 3 Classic, Mavic 3 Pro and Mavic 3 Pro Cine) to simulate ARRI Alexa color science and classic film stock appearance. This pack is highly recommended and offers significant learning and practical value.
Features
- ARRI Alexa 709 color science emulation for DJI D-Log and D-Log M
- 5 ARRI LUT pack with creative variations
- 6 Film Emulation LUTs based on real film stocks
- Perfect for Mavic 3 series drone users seeking creative post-production options
The 'Alexa Look'
A lot of Mavic 3 (Pro/Cine) users have expressed dissatisfaction with the colors from the camera. This LUT emulates the ARRI Alexa Mini using a tried and true process developed with Sony, Canon and Blackmagic cameras. The Alexa's color science is considered the gold standard for natural, accurate and beautiful colors as a starting point for grading.
These LUTs are designed to deliver:
- Organic, smooth and gentle highlight roll-off that mimics Alexa's highlight rendering
- Natural skin tones designed to render contrast levels on skin like an ARRI Alexa
- Naturalistic, organic and classic colors
- Rich but not crushed shadows suitable for low light and broad daylight scenes
- Commensurate exposure levels that don't shrink the dynamic range of the camera
The 5 ARRI LUTs:
- LUT 1) Neutral
- LUT 2) Tungsten
- LUT 3) Ice Blue
- LUT 4) Jamaica
- LUT 5) Utopia
A neutral ARRI look – no color cast or 'look' – just the classic ALEXA Rec709 look.
A slightly warmer golden cast designed to be utilized for subjects bathed in tungsten light.
Blue, colder cast with punchy, deep blues (looks amazing on subjects with blue eyes).
Green and gold cast – distinctive, rich, filmic greens and beautiful golden skintones.
The most filmic look of the LUTs, with blood red reds and filmic blues and greens. It's the personal take on what Utopia would look like.
The 'Film Look'
The 'Film Look' LUT Pack contains 6 LUTs inspired by real film stocks designed to give your D-Log and D-Log M footage the Film Look.
The 6 Film Emulation LUTs:
- LUT 1) 'Vision'
- LUT 2) 'Eastman'
- LUT 3) 'Eastman RM'
- LUT 4) 'Vision Teal'
- LUT 5) 'Eterna'
- LUT 6) 'Bleach'
Modelled on Kodak Vision 5274
- Shot on: The Matrix, Lord of the Rings Trilogy, Gladiator
- The most color accurate stock with accurate blues, slightly cool greens, accurate skin tones which slightly skew pink/gold
- Strong contrast and filmic subtractive color model in saturation
- Gentle roll off and rich, smooth fall off in shadows
- Skews green in shadow areas and when underexposed
- Classic film character but less stylised than any other stock
Modelled on Kodak Eastman 5247
- Shot on: Apocalypse Now, Bladerunner, Alien, ET
- Vintage, dated Kodak look and feel
- Saturation strongest in mids and falls off in shadows and highlights
- Greens skew warm, blues slightly turquoise, gold/pink skin-tones
- Smoother contrast than modern stocks
Variation on Kodak Eastman 5247 (Introduced Jan 202)
- Classic Eastman Look but modernised (Orange & Teal)
- Greener in cast than the more magenta original Eastman 5247
- Modelled on the Re-Graded versions of classic films from 70s & 80s
Variation on Kodak Vision 5274 (LUT# 1)
- Subtle Orange/Teal color scheme
- More stylised version of '#1 Vision'. Less realistic – 'prettier'
- Greens are slightly warmer, blues slightly turquoise and skin more golden
- Overall lift in saturation and contrast compared to 'Vision' but still balanced
- Can elevate a dull scene with its look but not overpower a rich scene
Modelled on Fuji Eterna 8563
- Shot on: Captain Phillips, Wall Street: Money Never Sleeps, The Butler
- Overall smoother contrast and rolloff compared to Kodak
- Rich but not overpowering colors and saturation characteristics
- Go-to for Fashion and Beauty but can work with almost anything
- Very flattering skin-tones
- Greens are cool and rich, skin is golden, blues skew turquoise and modern, color accurate yellows compared to Kodak
Modelled on Fujifilm Super F 8552
- Shot on: Munich, War of The Worlds, Crash
- Modelling the Bleach Bypass process for strong contrast and low saturation
- Aggressive, gritty look – halfway between black and white and color film
- Great for War Films, Crime, Urban Fashion
- Works especially well with heavy film grain
Technical Information
- System Requirements
- Software Support
- File Format
- Windows and Mac systems
Compatible with Sony Vegas, Premiere Pro CC, After Effects CC, FCPX, DaVinci Resolve, and more.
- .CUBE format
- File size: approximately 61MB
- Transfer format: .zip file
Installation Guide
- Final Cut Pro X
- Premiere Pro
- DaVinci Resolve
- Open FCPX software, find the [Effects] panel - [Color] - [Custom LUT] and add to the video
- In the [LUT] parameter item - [Select Custom LUT...] select the LUTS folder or .cube file to load
- PS: If you select the LUTS folder, you can load the entire folder and retain it in the [LUT] parameter item for easy classification management, but note that you should avoid using Chinese characters and special characters as much as possible
First open the following path:
- Mac system: /Library/Application Support/Adobe/Common/LUTs
- Windows system: \Program Files\Adobe\Common\LUTs
- Copy the "Log to Rec709" LUTs to the above folder
- PS: For easy classification, you can create a new folder in the above path
First open the following path:
- Mac system: Macintosh HD/Library/Application Support/Blackmagic Design/DaVinci Resolve/LUT
- Windows system: C:\ProgramData\Blackmagic Design\DaVinci Resolve\Support\LUT
- Copy the "Log to Rec709" LUTs to the above folder
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